Well August has come to an end, and it should come as no surprise that it was so chock-full of great releases. Here's a list of ten tracks released this last month that I think everyone should know and love as much as I do, basically. Naturally, any and all suggestions are welcome.
Eels â What I Have to Offer
Chompin' on a cigar makes me look cool
As if it wasnât enough to put out the wonderful and cathartic End Times
, E went ahead and released a complete polar opposite (in the same year, no less) with Tomorrow Morning
, a startlingly convincing, positive affair. 'What I Have to Offer' is the perfect representative of the album, in that while it is hardly a musical departure, for the first time you can see E cracking a smile that is free of irony. This is music for appreciating oneâs self, love, and looking forwardâ¦ who knew a band like the Eels were the one who would capture it?
Atmosphere â To All My Friends
And now I will make your cigarette DISAPPEAR
Two years after their excellent album When Life Gives You Lemonsâ¦
comes this positive, upbeat single with a predictably catchy beat from Ant and great storytelling from Slug. 'To All My Friends' is basically in praise of the duoâs career as musicians, and Slugâs flow over the almost bluesy guitar sounds so genuine and contented that you canât help but feel optimistic while listening to him.
Fleshwrought â Inner Thoughts
Closest to a real picture I could find...
Death metal of the tech and melodic varieties tend to get a bit too self indulgent with the instrumentation and sport production that is way too clean for this kind of music, at least for me, and the fact that Fleshwroughtâs debut has neither of these flaws, and in fact embodies each of these qualities to just the right degree, is reason enough to like them. Thereâs a great flow to each songâs multiple sections, and Inner Thoughts has not just this, but a saxophone solo near the end that sounds as well-placed as it is unexpected. Killer stuff.
Nils Frahm â Ãber
Rockin' out n' shit
Modern classical, ambient, piano music, whatever you want to call it, the B-side off of Nils Frahmâs latest single is just about too beautiful for words. With such a seemingly basic series of melodies, Ãberâs lone piano gives off such a reflective feel, but not so definite as to make one feel particularly happy or sad. Anyone who likes this kind of music would do well to check this track out.
Skream â Wibbler
Flannel can still kick ass.. er I guess
While most of the dubstep pioneerâs latest is sadly bland, this track is one of the few exceptions â tremendous bass and reverb, pummeling layers of sound, and itâs just simple enough to be catchy and danceable without losing its hard edge. Looking for crossover success seems to have watered his music down more than making him accessible, but in neglecting this formula, Wibbler finds the DJ with his energy still more than in tact.
Autolux â Spots
"Don't shoot while I'm picking my no- ...you prick"
After a four year wait, Autolux have finally returned with another set of songs too good to make you wonder for very long about how much Sonic Youth theyâve been listening to. Still, theyâve adopted more dimensions this time around, which the moody, jazzy Spots illustrates beautifully. The passive vocal harmony floats over that clean piano, with more and more elements (keyboards, feedback, what Iâm guessing to be a xylophone?) subtly thrown in, making a highly somber mood sound absolutely lovely.
Comeback Kid â Symptoms and Cures
HAH that's silly
2010 has seen some spectacular hardcore releases, and as you might guess Iâm including Comeback Kidâs latest. A great quality that shines throughout the album is the ability to blend almost melancholic melodies with a raging fury, which the albumâs title track (while itâs a close call) probably does it the best. Vocalist Scott Wade roars on against the wailing guitars while the song grows all the more forceful, with the music catching up to his energy by the end.
Matthew Dear â You Put a Smell on Me
Ah em heah fo ze wimenz
This song throbs with sexual energy, presented in an aggressive, brooding package. The almost cheesy 80s sounding intro doesnât stay as such for long, as the atmosphere darkens by the moment with the muffled backing falsettos, blasts of bass, and that moaning climax. Itâs Dear himself who really steals it though, sounding almost too much like a predator on the prowl.
Cee-Lo â Fuck You
Hey it's Yogi
Cee-Loâs first post-Gnarls Barkley release still reeks of neo-soul, and is as usual stuffed to the gills with his personality. How many other singers could take break-up angst and tweak it to sound not just this funny and cheerful, but with such an addictive, sing-a-long quality? The sentiment of telling someone to fuck off should always sound this fun.
Arcade Fire â Sprawl II (Mountains Beyond Mountains)
God dammit... my heart is still beating.
In true Arcade Fire fashion, their third LP The Suburbs
is finished off with a soaring, epic closer â although Iâm sure nobody expected such an unabashed synth pop sound. When the second verse comes along and that dancing synth pops in along with RÃ©gine Chassagneâs typically vulnerable, gorgeous vocals, I canât help but grin like an idiot â despite the daunting subject matter, everything sounds so positive; Iâve said before, hoping in the face of hopelessness really is what this band does the best.