Bloc Party - Southampton Guildhall 17/10/12
I was at Bloc Party's last gig before the hiatus, in Bournemouth on Halloween of 2009. At the time it felt like it was going to be the end for the band, and before closing the set with their first single 'She's Hearing Voices', Kele Okereke exclaimed: "maybe the best way to end is to go back to the start." It all sounded pretty ominous for their future.
The fact that tonight is happening, then, is an extremely pleasant surprise. Talk of recording sessions without the frontman, and then said frontman claiming the comeback record might be the band's last have somehow been replaced with a progressive and brilliant new record Four, and it's those songs which shine tonight.
After a jingly, jangly and largely uninteresting Theme Park set performed to a largely uninterested crowd, an opening trio of 'So He Begins To Lie', 'Mercury' and 'Hunting For Witches' thrust them into a set performed impeccably, and newies 'Octopus' and 'Kettling' are greeted with as much enthusiasm and excitement as 'Flux' and 'Helicopter'. It's a testament to what Bloc Party have managed with Four.
A largely muted response to third record Intimacy teamed with a three-year break makes the feat all the more remarkable, and as has been shown by the reunions of At The Drive-In and Refused this summer, bands taking breaks sees their popularity, and demand for comeback gigs somewhat inexplicably soar. The Southampton Guildhall seems to be confining and restricting Bloc Party tonight, then, and the twenty-odd songs tonight are thrown out almost in second gear, like they're a band that know they're capable of more.
An Earls Court date has already been announced for 2013, so although this Academy tour they're currently on is excitingly intimate for the fans, it feels like the band are just waiting for the bigger venues and festival headline slots to arrive. The conviction with which their 90-minute set tonight was rolled out tonight suggests that such rooms are waiting for them with arms outstretched.
Purchase and listen
Don't Miss Out
Stay Connected with The 405
- Follow @the405
A photo review of Bloc Party at Earls Court in London by Chris Mathews. [read more]
Release Date: 26/01/09 Label:Â Wichita Bloc Party. For half of you, those two words may have just made you vomit into your own shoe in disgust, whilst simultaneously scrabblingÂ to press the X at the top of the browser with your other available hand, the one that is not handling the said sick-stained footwear of course. The other half will be eagerly waiting to hear what is being said about the band to which they hold dear. Then the other half will be indifferent, and may muster a non-com... [read more]
Release Date: 9th August Starting out with what sounds like the demo everyone would pretend to play on the school keyboards, âOne more chanceâ is Bloc Party but not as we know it. Keeping to a similar theme as their latest album âIntimacyâ the band has decided to stick with Keleâs long drawn out vocal style over heavy riffs and gritty base lines. As mentioned before the initial piano riff does make things seem a little 80âs at times, a feature which is not helped by a fairly ... [read more]
Red Barked Tree is post-punk veterans Wire's twelfth studio album, coming out 23 years after their landmark debut Pink Flag. After all these years and all this material, you could forgive them if the creative well was running a little dry. What is both impressive and cheering to report is that they remain as vital, intelligent and important as ever. The first song to be released to the internet, the menacing 'Two Minutes' fizzes away on a sea of nonsensical shouted lyrics about the shit of... [read more]