Listen to 405 Radio
  • No Events

    We'll get something in the diary soon

Foxes! - Foxes!

Foxes! - Foxes!

by , 10 January 2012

Who would have thought that a cassette tape (yes it was that long ago) given away free with a weekly music inkie (the NME since you ask) would still hang like the proverbial albatross around the necks of any band daring enough to jangle rather than rock? Any vaguely twee band with cute, usually but not predominantly, female vocals are casually dismissed with the accusation that they're little more than C86 revivalists. If they can body swerve that they open themselves up to the charge that they're Sarah Records fellow travellers.

On their self titled debut album Foxes! don't really help themselves. They jangle more than a wind chime factory in a hurricane, they have more than the requisite quantity of cute, female vocals and a track called 'The Panda Bear Song'. They even include a song about breaking down in tears when a friend said he'd vote for Borderville in the battle of bands ('Alex Badamchi'). They couldn't be more twee if they wrapped themselves in Cath Kidson wallpaper and performed at a Laura Ashley garden party.

But it's not all fun, sun, cherryade and summer dresses in the world of Foxes!. 'Who Killed Rob' may sound sweeter than a honey coated barley sugar twist but it's a tale of a cyclist being knocked down. 'It's Ridiculous, Adam' is Lesley Gore's tear jerker 'It's My Party' re-imagined for the 21st century, a wedge of casio pop that'll have your feet dancing while your heart breaks. The album's final track 'Descartes' includes references to headstones, drowning, suicide, canine anal cancer and dying goldfish. Not even miserable old Morrissey dared to write lyrics about anal cancer, or dying goldfish come to think of it!

What sets these cunning canids apart from their twee compadres is that they don't stick rigidly to the suffocating twee template. 'Oh Rosie' is a frantic rockabilly pace setter that rocks like it's life depends on it before reaching an anthemic climax. 'Welcome To The Jivin' starts off like a 1950s commercial before settling into a 1960s pure pop groove.


Don't be put off by the twee coating there is more to these cunning canids than meets the eye. From surprisingly dark subject matter to the occasional foray into rockier territory Foxes! is the first truly post-twee album. Now can we all forget C86 and set our bands free to be twee.

Rating: 7.5/10

Purchase and listen

Don't Miss Out

Related Reviews

  • Dave Hughes - Despite The Blackout

    Dave Hughes - Despite The Blackout

    by Katy Cousins

    I love late Autumn. I’ve stopped mourning festival season and started getting excited about Yuletide and, best of all, my favourite Scottish musicians’ no longer sound cold and out of place in the Southern sunshine. With the nights firmly drawn in and the country erupting in weekly episodes of civil unrest, what better time for a folk punk album to galvanise the troops? [read more]

  • Imbogodom - And They Turned Not When They Went

    Imbogodom - And They Turned Not When They Went

    by Jonathan Greer

    Imbogodom is the name of the collaborative project between Alexander Tucker and Daniel Beban, two musicians working in similar fields, but based at either end of the planet – Tucker in London and Beban in Wellington, New Zealand. [read more]

  • Buraka Som Sistema - Komba

    Buraka Som Sistema - Komba

    by Lyle Bignon

    On 'Eskeleto', the opening track of Komba, British-Nigerian MC Afrikan Boy spits the line, “When I entered this world, I entered into darkness – travelled to the UK with a heart full of dance steps” over a merciless bass line and pounding beat; summarising the second full length release from Buraka Som Sistema in one succinct line. [read more]

  • The Dø – Both Ways Open Jaws

    The Dø – Both Ways Open Jaws

    by Andy Johnson

    What's next for an artist after they propel their sometimes recklessly experimental début album to the top of a national chart? Back in 2008, Franco-Finnish art-pop duo The Dø achieved exactly that when their deeply flawed, but occasionally inspired, first album A Mouthful became the first English-language record by a French act to hit #1 in France. [read more]


Follow Us

Recommended Posts

Popular Posts

Mailing List

Sign up to our weekly mailing list.