Wild Nothing - Life of Pause
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Despite having two critically acclaimed full-length LPs and two equally celebrated official EPs under his belt, Wild Nothing's Jack Tatum remains one of the most underrated songwriters of this decade. 2010's Gemini was a slinky, homespun homage to guitar-pop of the 1980s, while 2012's Nocturne took the same formula and beautifully transformed it into, to borrow the common description, a widescreen work of art. 'Paradise,' which conjured up shimmering memories of Robert Smith, New Order and Tears For Fears, was easily one of the best songs of 2012. Still, in assessments of the best songwriters of the past several years, Tatum has managed to fly under the radar.
Tatum's organic evolution as a songwriter continues on his third LP, Life of Pause, which features him delving even further into the poppier side of his musical inclinations, pulling and absorbing material from the new wave and Britpop movements of the 80s with deft ease. It is as if Tatum has held the same paint palette since Gemini but is constantly smattering new colors on to boldly broaden his artistic expanses.
Having long worn his influences on his sleeve, Tatum opens the record with an ode to minimalist composer Steve Reich, on the wonderfully titled 'Reichpop,' a self-described attempt at blending Reich's minimalism with Tatum's dreamy new wave style. Hypnotic marimbas drive the song forward, as airy vocals dance around the tropical sounds. On an album so well structured and carefully sequenced, 'Reichpop' is a perfect opener.
Album highlight 'Lady Blue' showcases Tatum's continued mastering of open-to-the-listener lyricism as he serenades a shadowy figure of a woman, slinking elegantly from track to track through this record. "Will I find a way to make sense of the way that you love me?" he asks, "Will I find a way to repay you for all that you've done for me?" A brilliantly composed bass part caresses a zinging synthline, setting the stage for a fluttering chorus that would have made Let's Dance-era David Bowie envious.
Wild Nothing's music has always given listeners a sensation that feels something like falling in love. It is a skill that Tatum has mastered and honed in on, both in words and sounds. As a result, his lyrical and sonic preoccupation with the subject continues on Life of Pause. Songs like the sweet and sultry ode to female intuition 'A Woman's Wisdom,' the bold rocker 'Japanese AliceTV Queen' all deal with the otherworldly allure of love and its pains. It is familiar territory for Tatum's music, yet he still handles the material with a fragile, airy delicacy that puts him head and shoulders above many of his peers. Only his fellow dream poppers in Beach House hold a candle to his ability to convey the difficult-to-convey majesty of falling in love.
It is unlikely that Life of Pause will blow anyone out of the water. Tatum has restrained himself from indulging in wholesale reinvention, electing instead to carefully fine-tune his sound with each additional record in his catalogue. So while Life of Pause is unlikely to make a splash big enough to put his incredibly skilled work at the forefront of everyone's attention, those who have been already found themselves soaking in the majesties of Tatum's work will be quite pleased with what is store for them with this LP. And like the aforementioned Beach House, who have followed a similar evolutionary trajectory, a steady stream of new followers are likely to hop on board. Flashy records are always exciting, but the merits of a solidly constructed and alluringly dreamy album like Life of Pause should never be underestimated.
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Pop has always been a very confused and misunderstood genre of music with extremely blurred boundaries. It has been reinvented countless times, more recently being lowered back into the god forsaken, money motivated and commercialistic gutter full of musical excrement that is squeezed out of the silky smooth arse-cheeks of Simon Cowell and his X-Factor minions. [read more]
Label: Captured Tracks Release date: 24/05/10 Link: URL Before we go any further let me tell you two things. 1) Iâm a Gemini 2) I really like this record. Maybe thereâs some subconscious at work that instantly draws me to this record, maybe Iâm pre-disposed to liking it via some cosmic forces. Maybe. Iâve no idea if Jack Tatum, the 21 year old Virginian behind Wild Nothing, is a member of the same zodiac as I am but I would suggest he is. Everything involved in Gemini the reco... [read more]
Label: Captured Tracks Release date: 13/09/2010 Link: Myspace Stream: Spotify Speaking as someone who really likes the whole Jesus and Mary Chain and Galaxie 500 style shoegaze, Wild Nothing was something of a revelation when Gemini came out. Rich and jangly, yet lo fi and personal, modern and progressive yet a complete throwback, it was a complete contrast in itself. I guess the closest band I would place it to in modern music is The Pains of Being Pure At Heart, insofar as it takes a... [read more]