This Week's Best Album Streams: 31st October 2012
What have you been up to this week fellow 405ers? Because I just got back from seeing Skyfall and I have to tell you it was incredible. Honestly, the best Bond film of my lifetime (to be fair, that list does include Die Another Day). Not sure I want to do anything else for the rest of the week except for marathoning my way through the rest of the series, in chronological order, skipping most of the Roger Moore ones. Except maybe The Spy Who Loved Me - even then I might just listen to 'Nobody Does It Better' and watch Alan Partridge's re-enactment of the opening scene.
Anyway, I'll set aside the Carly Simon for the time being, 'cos you're probably wanting something newer, eh? (Philistine). Luckily for the both of us, it's been another banner week for album streams, so let's get down to business.
Lindstrøm - Smalhans (FACT)
A lot of people describe Hans-Peter Lindstrøm's output as "dance music for people who don't like dance music," which is exceedingly silly because A - it suggests fans of dance music don't "get" good music, and B - it suggests non-dance fans don't "get" good dance music. And Lindstrøm is most definitely good dance music. Those more familiar with the excellent Where You Go I Go Too might be surprised that this one is a little more disco than spacey, but it's still an intelligent and four-to-the-floor-friendly instrumental electronica record.
Andy Stott - Luxury Problems (NPR)
It's been an especially good week for electronic music, it seems - I guess it's the time of year for those that spend a lot of time inside, tinkering obsessively with samples and drum loops and other things that are as beyond my comprehension as alchemy. Mancunian producer Stott continues to explore the low-end theory with this LP, which is a little like James Blake's debut, shot through with a bit of estrogen - ghostly female vocals float about abandoned soundscapes, occasionally being rudely interrupted by some bass-heavy two-step.
West End Motel - Only Time Can Tell (Paste)
If analogue's more your speed, you could do a lot worse than West End Motel which is... well, I'm not quite sure. There's some warm-toned lead guitar and organ, there's a little programmed trip-hop beat in the background, and then there's some mariachi band-style vocals basting the whole thing. It's pretty brilliant? I think?
Brian Eno - Lux (Q Magazine)
Looking back at the man who paved the way for the likes of Hans-Peter and Andy, electronic music pioneer Brian Eno has popped up with his first proper solo album since 2005's slightly underwhelming Another Day On Earth. Like that record, LUX is almost an extension of his early ambient albums, all wide open spaces, treated piano and synth notes held until the end of time. Prosaic yet pretty.
Calvin Love - New Radar (Paste)
Mr Love uses similar instruments to Messrs Eno, Stott and Lindstrøm, but is clearly on a much tighter budget; rather than lush, sweeping electronic ambiance, New Radar makes its home in simple, lo-fi pop songs that aren't a million miles away from Casiotone for The Painfully Alone (or Advance Base), albeit a little more complex - but no less heartfelt.
Rod Stewart - Merry Christmas Baby (USA Today)
If you find any good album streams this week, Tweet me @tennis_everyone. Hey, I didn't mention Halloween once in this! Dammit.
This week's list has been the hardest to compile. Not because of lack of quality on the internets, but the exact opposite. Streams by Wallis Earl Beal and Chromatics, two of 2012's finest albums, have dominated my listening time, only interrupted by watching Orbital’s Wonky video and listening to, our SXSW correspondent, Shell Zenner's new show on Amazing Radio (Friday 1pm peeps). It’s been a good week. [read more]
I just realised, I've never opened one of these by asking how you are, gentle reader. It's always about me, what about you? Is everything good in your life? How's your girlfriend/boyfriend/wife/husband/love pillow? Did you get that job/promotion/thing stranded on a high shelf? What's the weather like where you are? Do you want to listen to some music? Of course you do. Here's some coming along now. [read more]
Hey, it's May Fools Day! The day when newspapers, websites, the young and the young at heart, the lovably wicked and the total arseholes are united in their playing of pranks. Hm? A guy genuinely lost his live savings through playing a carnival game? The Instagram Act is a real thing? Ace of Bass are actually Nazis? And May Fools Day isn't a thing? Christ. I need a lie down. Maybe I'll listen to some new music while I do so. [read more]
This afternoon more than any other, I truly need some good music to listen to. Because last night - for reasons that now escape me, and wouldn't excuse me regardless - my girlfriend and I sat combing through YouTube for the dregs of mid-00s scene kid music. The stuff that exists in the darkest recesses of your memory, the bands with names whose inherent awfulness is rivalled only by the songs themselves. I've had 'Shake It' by Metro Station stuck in my head for about twelve hours now. [read more]