Lazerbeak - Lava Bangers
There’s no doubt that the hip hop crown belonged to motor mouth rap collective Odd Future for the majority of 2011, but that was then and this is now - and whilst last year indefinitely belonged to the East, 2012 sees a whole host of West-side talent swaggering back into the fray. When he’s not busy playing guitar in small-time indie band The Plastic Constellations, Aaron Mader; aka; Lazerbeak can be found on producing duties for the Minnesota based Doomtree, alongside the company of six other talented emcees and producers. But for the second time in his career, he’s going it alone on his second full length solo album; Lava Bangers.
The album kicks off with the beat heavy instrumental number ''Mighty Jungle' - which sets the tone for the majority of the record (it is an instrumental album after all). The first vocal of the record doesn’t come in until four tracks deep on 'LRL' with an expertly looped vocal progression that cements Mader’s talent for reinventing the same sort of sound that was present in many nineties mix tapes.
The titling of tracks 'Had Enough' and 'Finally Bac'k present the record as Mader’s perspective grows with age, and seems more mature than on previous records; Hand Over Fist and Legend Recognise Legend. 'Knight Fighter' is one the standout tracks with its disco vibes that mingle interchangeably with a strong backbeat, it’s just a shame that it clocks in at a mere 1 minute 15.
Having a twenty track album may seem intimidating to many listeners but Lazerbeak is nothing if not consistent. It’s never going to make waves in high places, but when it can remain a best kept secret for many hip hop fans that harbour a secret passion for 70s disco music, it needn’t have to.
Purchase and listen
This third record <em>Ghostory</em> from much praised New York outfit <strong>School of Seven Bells</strong> sees the band finding a new headspace. The now two piece (Member Claudia Deheza left in 2010 for personal reasons) comprised of Benjamin Curtis and Alejandra Deheza’s new record was recorded in a much more intimate manner than previous albums, with increased collaboration on ideas and recording which is evident in Ghostory’s tight considered sound. [read more]
The Louvin Brothers are a true mix of yin and yang; they manage to be one of the most un-hip groups of all time, while at the same time influencing a whole roster of bands and artists across a wide spectrum of music with their gospel old timey close harmony country music. [read more]
The way I feel about this album is the same way I feel about Nick Cave or V For Vendetta. These are all things that I just can't get into no matter how hard I try, yet at the back of my mind I'm perfectly aware that it's a probably a lapse in my judgement and everyone else is right. [read more]