Living and working in Stockholm, photographer Viktor Gårdsäter's latest series explores human mortality and the constraints of our existence that depends wholly on the ceaseless passing of time.

Centered on the idea of life and death, "Balloon Man’s Last Walk" is assembled as a fashion shoot, the subject adorned in tweed jackets, bow ties and cashmere sweaters. And yet through his direct stare of experience, the series conveys a fragile honesty that is more often than not captured in personal family albums.

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