BFI London Film Festival Announces 2010 Awards Winners
As the 54th BFI London Film Festival starts to ride off into the sunset, it's time to have a look at which films and directors will be putting nice shiny accolades next to their names from here on in. At a no-doubt sumptuous awards ceremony hosted by journalist and broadcaster Sue Perkins, the five awards were presented by some of the most respected figures in the film world. Ah! To have been there.
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Best Film: How I Ended This Summer (Alexei Popogrebsky)
Celebrating the most original, intelligent and distinctive filmmaking in the Festival, the Best Film award, presented in partnership with American Express, has been judged by an international jury chaired by actress Patricia Clarkson alongside fellow jurors including Gabriel Byrne. The award for Best Film was presented by Patricia Clarkson to Alexei Popogrebsky for How I Ended The Summer On behalf of the jury Patricia Clarkson (Chair) said: “With elemental themes of isolation, alienation and the power of misunderstanding, How I Ended The Summer is a visceral psychological drama set in the immersive landscape of the windswept Arctic.
“Director Alexei Popogrebsky has combined stunning cinematography with painterly attention to production detail and drawn intense and subtle performances from actors Grigory Dobrygin and Sergei Puskepalis. The film turns the hunter-versus-hunted narrative on its head to provoke powerful questions about life and death, resilience and human compassion. Tense, moving and universal in its scope, this is a cinematic tour de force.” The jury also gave a special commendation to Joanna Hogg’s subtle and sophisticated Archipelago, praising the film’s taut and truthful performances and visual beauty.

Best British Newcomer: Clio Barnard, director of The Arbor

Presented in partnership with Swarovski and honouring new and emerging British film talent, and recognising the achievements of a new writer, producer, director, actor or actress, the award for Best British Newcomer was presented by Andy Serkis to Clio Barnard, director of The Arbor.

Juror David Morrissey comments: “This year's Best British Newcomer category was amazingly strong and the jury was impressed by all the candidates. The three young actors nominated all delivered exceptional performances, and at a time when raising money for films and keeping them on track is so difficult, the two producers on the shortlist should be commended for their exceptional work. Finally, the three writer/directors nominated for In Our Name, Submarine, and The Arbor created three very different, challenging pieces of work. The jury was hugely impressed by all of their films.” Tony Grisoni adds: “Focusing on playwright Andrea Dunbar’s uneasy relationship with her daughter, Lorraine, Clio Barnard’s genre-busting film The Arbor is innovative, eloquent and emotionally resonant. This film, which touched all of us, both challenges conventional filmmaking and at the same time engages with real lives. A stunning debut.”

Sutherland Award: Clio Barnard, director of The Arbor

The longstanding Sutherland Award is presented to the director of the most original and imaginative feature debut in the Festival. This year, Clio Barnard made a brace with her second award for The Arbor, which was presented by jurors Michael Winterbottom and Olivia Williams. Festival Artistic Director and Chair of the jury, Sandra Hebron, comments: "The Arbor is a brave and highly original debut with many levels of experimentation on show. With outstanding performances that give a great resonance to thewords of real people, Clio Barnard’s film tells a fascinating story with sophistication and haunting emotional impact. This is a challenging, moving and utterly memorable film and a deserving winner of the Sutherland Award". The jury also praised the indelible poetic imagery of Phan Dang Di’s Don't Be Afraid, Bi!, and Michael Rowe’s Leap Year for its engaging story-telling and extraordinary performances.

Grierson Award for Best Documentary in the Festival: Armadillo (Janus Metz)

This award is co-presented with the Grierson Trust, in commemoration of John Grierson, the grandfather of British documentary. Recognising outstanding feature-length documentaries of integrity, originality, technical excellence or cultural significance, the jury was chaired by Kevin Macdonald and the award was presented by journalist and broadcaster Jon Snow to winner Janus Metz for Armadillo.

Kevin Macdonald (Chair of the Jury) said: “Filmed with a combination of extraordinary intimacy and stylistic sophistication, Janus Metz's Armadillo follows a group of Danish soldiers on their first posting to Afghanistan. With total access and great honesty, the film shows us why these men want to go to war and what the experience of action does to them. Humane but clear eyed in its attitude to the conflict, we believe that Armadillo is a touchstone film that will be watched for years to come.”

BFI Fellowship: Danny Boyle

Awarded to an individual whose body of work has made an outstanding contribution to film culture, the Fellowship is the highest accolade that the British Film Institute bestows and was awarded to director Danny Boyle. Boyle, whose film 127 Hours will close the Festival, was presented with the award by Stephen Daldry.

Legendary film director Martin Scorsese was also present at the ceremony to deliver a special tribute to the work of the BFI National Archive, which celebrates its 75th birthday this year. Jurors present at the ceremony included: Best Film jurors Patricia Clarkson, Gabriel Byrne, Sandy Powell, Shekhar Kapur and John Hillcoat; Sutherland Trophy jurors Stephen Poliakoff, Rebecca O’Brien, Esther Freud and Will Gompertz; Best British Newcomer judges Andrea Calderwood, Antonia Bird, Tony Grisoni; and Grierson Award jurors Mandy Chang and Christo Hird of the Grierson Trust, Charlotte Moore, Head of Documentary Commissioning at the BBC and Dick Fontaine of the NFTS.