Hello folks! Get your 3-D glasses and buckets of popcorn at the ready because it's time for this weeks
Film Roundup! On this weeks Roundup - From the guys that brought us Scary Movie, we meet
Stan Helsing. Realise your inner potential in teen documentary
Ten9Eight. Boy Meets Girl, Again in
Splinterheads. Kate Beckinsale is
fine and so is everybody else apparently in Christmas comedy
Everybody's Fine. And I told you Death Metal was
Evil, see for yourself in
Until the Light Takes Us. Enjoy!

1.
Stan Helsing
Released: October 23rd, 2009
Directed by: Bo Zenga
Cast: Steve Howey, Diora Baird, Kenan Thompson, Desi Lydic
Genre: Comedy, Horror
Trailer: Click Here
Itâs Halloween night, and slacker video clerk Stan Helsing â along with his insanely sexy ex-girlfriend best buddy and an exotic dancer/âmassage therapistâ â detours into a town cursed by the biggest monsters in movie history: Freddy, Jason, Pinhead, Leatherface, Chucky, & Michael Myers. But when Stan discovers that heâs a direct descendant of the legendary monster hunter Van Helsing, the four will have to survive a night of hell raisers, hockey masks, psycho dolls, pleather faces, creepy hitchhikers, vampire strippers, killer karaoke, and lots of hot chicks kissing each other. The one and only Leslie Nielsen co-stars in this hysterical horror spoof written and directed by one of the guys who brought you
Scary Movie.
2.
Ten9Eight: Shoot For The Moon
Released: November 13th, 2009
Directed by: Mary Mazzio
Genre: Documentary
Trailer: Click Here
In America, a kid drops out of high school every nine seconds. Imagine if they didnât. This is the compelling question behind award-winning filmmaker Mary Mazzioâs newest project TEN9EIGHT, a thought provoking film which tells the inspirational stories of several inner city teens (of differing race, religion, and ethnicity) from Harlem to Compton and all points in between, as they compete in an annual business plan competition run by the Network for Teaching Entrepreneurship (NFTE).
3.
Splinterheads
Released: November 6th, 2009
Directed by: Brant Sersen
Cast: Thomas Middleditch, Rachael Taylor, Lea Thompson, Christopher McDonald, Dean Winters, Frankie Faison, Jason Rogel
Genre: Comedy
Trailer:Click Here
Splinterheads introduces Thomas Middleditch as Justin Frost, a twenty-something slacker whose âthingâ is that he has no âthingâ at all. When a small-time carnival rolls into town, he meets Galaxy (Rachael Taylor), a gorgeous con artist, or âsplinterhead,â who has more âthingsâ going for her than anyone he has ever met. While dealing with a romance between his mom (Lea Thompson) and the local cop (Christopher McDonald), Justin romances Galaxy, joining her on a geocaching adventure that is part treasure hunt and part hike, and figures out what his âthingâ really is.
4.
Everybody's Fine
Released: December 4th,2009
Directed by: Kirk Jones
Cast: Robert De Niro, Drew Barrymore, Sam Rockwell, Kate Beckinsale
Genre: Comedy
Trailer:Click Here
âEverybodyâs Fineâ, a remake of Giuseppe Tornatoreâs âStanno Tutti Bene,â follows a widower (Academy Award® winner Robert De Niro) who embarks on an impromptu road trip to reconnect with each of his grown children only to discover that their lives are far from picture perfect. At the heart of âEverybodyâs Fineâ is the theme of family and physical and emotional distances traveled to bring the members back together. Kirk Jones (âWaking Ned Devineâ) directs.
5.
Until the Light Takes Us
Released: November 20th, 2009
Directed by: Aaron Aites
Genre: Documentary
Trailer:<"http://www.apple.com/trailers/independent/untilthelighttakesus/">Click Here
Until The Light Takes Us tells the story of black metal. Part music scene and part cultural uprising, black metal rose to worldwide notoriety in the mid-nineties when a rash of suicides, murders, and church burnings accompanied the explosive artistic growth and output of a music scene that would forever redefine what heavy metal is and what it stands for to other musicians, artists, and music fans world-wide. Directors Aaron Aites and Audrey Ewell moved to Norway and lived the musicians for several years, building relationships that allowed them to create a surprisingly intimate portrait of this violent, but ultimately misunderstood, movement. The result is a poignant, moving story thatâs as much about the idea that reality is composed of whatever the most people believe as it is about a music scene that blazed a path of murder and arson across the northern sky.